Fluid's covers are attractive enough to make you WANT one. Or two. |
A pretty good shot of the tooth of the paper, it looks like travel sketchbook paper. |
The mask test. It handles mask perfectly. |
Several of Fluid's blocks are sized long for landscapes, making them the perfect size to throw into a travel bag and go. We spent time on the bird refuge this week, so I thought I'd give this paper a test drive on a scene I liked at the refuge. It would involve layers, washes, mask and small details.
The initial drawing of my scene. |
It is smooth for drawing the layout lines onto. I erased in several places to see how it would handle that. It didn't pull up fibers as I erased and later when painting over these spots they didn't accept the paint differently- bonus.
This photo is a great illustration of the way the paper buckles when it's wet. |
When I put the first sky wash down, the paper immediately buckled. Arches 140 pound blocks do buckle a bit when they are first wet in a wash, too, so this wasn't totally unexpected. Just for the record, I get less buckling in my Moleskine travel watercolor book. However, the paint didn't lay down smooth into the wet paper. It tends to sit on the surface in a snit, not knowing or caring where it ends up.
The paint, sitting on the paper and beginning to run into the drying areas, causing a cauliflower effect. |
There is another thing worth mentioning about the absorbency of the paper. As I mentioned above, it's not absorbent. This can cause some great effects or terrible ones, depending on what you are after. In my tree areas, it caused cauliflower effects but I liked them- they added texture.
So far, as a studio paper, Fluid isn't up to par. However, as a travel sketch paper, it's acceptable. Be sure to check back in tomorrow to see how the final piece turned out.
Thanks for stopping by! Alice
No comments:
Post a Comment